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Racine

Jean Racine · French dramatist (1639-1699) · 1639–1699

Appears in 108 videos · 171 passages, 86 of them in depth.

What Dominique Pagani says

Dominique Pagani mainly reads Phèdre, which he studies for a whole year, in particular the confession to Hippolyte, as well as Andromaque, Britannicus and Mithridate. He often returns to the line "Souveraine des mers qui vous doivent porter", whose Vs undulate like the wave: for him, it is the music of the line, not its meaning, that makes poetry1. In his view, Racine's heroes are "possessed by what they possess" and sacrifice honour to passion, which he links to the internalisation that comes with the stabilisation of power2. He sees in Racine a poet who expresses the unconscious without thinking it, with an "arithmetical" rigour, that of Hippolyte's six months3. He notes the motif of the "shore" (bord), always perilous4. He reads the preface to Phèdre, which gives the calumny to the servant, as the sign of a class unconscious5. He also stresses the deliberate anachronism of Greeks speaking like courtiers of Versailles, the separation of genres, and the comparison with Corneille, of whom Racine would be the inverse.

  1. 1#2.6 Entre crise et guerre : Philosopher ?1 Aug 2017 · 30:45
  2. 2#1.5 Entre crise et guerre : Philosopher ?10 Dec 2015 · 17:54
  3. 3#2.6 Entre crise et guerre : Philosopher ?1 Aug 2017 · 44:26
  4. 4#10 UKRAINE : Du problème des "Bords" au déchaînement de la guerre24 Feb 2022 · 1:37
  5. 5#2.6 Entre crise et guerre : Philosopher ?1 Aug 2017 · 1:24:42

Summary produced automatically from 150 of the passages below, to be reviewed; the numbers link to the moment in the session.

Portrait: RacineWho is this?

Jean-Baptiste Racine ( rass-EEN, US also rə-SEEN; French:; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille, as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther, for the young. […]

Read the article on Wikipedia

Text: Wikipédia, CC BY-SA 4.0, excerpt · Portrait: After Jean-Baptiste Santerre, Public domain

Season 10 · 10 Jun 2022#14 Caves of Yesterday and Today - From Plato to modernity
  1. 53:09BritannicusIn two lines of Nero, he concentrates the sadistic drive and the masochistic drive, making them universal types.
  2. 57:21PhaedrusHippolytus reveals unconscious aggressiveness toward his father, then discovers he is other than he thought.
  3. 1:29:24Mithridates'Sovereign of the seas that must bear you': the V's ripple and the line expresses the desire to be carried.
  4. 1:34:14PhaedrusIn Phaedra's confession, descending into the labyrinth is already the fall: words play tricks on us.
Series · 31 Mar 2021Wagner and his interpreters, Approaching Clouscard, Marx = Theseus? • Philosophical Q&A • Pagani
  1. 1:00:09AndromacheA courtier author; reading of the dedication of Andromaque to Madame.
  2. 1:03:00PhaedrusA tragedy of confession; the line about the daughters of Minos shows a desire born of speech and a political tribute.
  3. 1:07:11AthaliahTen years of silence after Phèdre; Athalie, an edifying play, is among his most monstrous; Racinian melody is never binary.
  4. 1:09:30PhaedrusHippolyte's "more than six months" show that the Freudian reading is operative down to the arithmetic.
Season 9.1 · 17 Dec 2020#9 Benefits and harms of amnesia...
  1. 3:38PhaedrusThe new text studied is Act II, scene 5 of Phèdre, originally titled Phèdre et Hippolyte.
  2. 35:51A poet of the classical age and a courtier; his text reaches its highest brilliance through categories that came after Marx.
  3. 52:12PhaedrusFull reading of Phèdre's confession to Hippolytus, which he presents as a melody without equal.
  4. 1:06:43PhaedrusRacine, "one of the greatest perverts of literary genius," places a small poisoned note at the last verse of the tirades.
  5. 1:26:19PhaedrusThe repeated "six months" show an arithmetic of the text, without Racine having read Freud.
Season 2 · 1 Aug 2017#2.6 Between crisis and war: Philosophising?
  1. 26:26PhaedrusOne of the poetic summits of the language, studied as far as Japan.
  2. 30:45MithridatesThe line "Sovereign of the seas that must carry you" is poetic only through its sonorous element.
  3. 36:00Britannicus"Rome falls silent, at least imitate its silence": key to the ancient ethics of speech.
  4. 44:26PhaedrusKnowing nothing of the unconscious, he says more than he thinks: the "arithmetical" rigor of the six months.
  5. 1:24:42PhaedrusHis preface reserves calumny to the servant: this is a class unconscious.
Talks · 8 Aug 2015Mythology and Truth
  1. 4:16PhaedrusThe line "What charm drew him to its dreaded shores?" serves as a thread for questioning the appeal of myth.
  2. 12:51AndromacheHis theater almost always stages myths known to the public, which allows him to say everything while saying nothing.
  3. 15:21PhaedrusThe tirade on the monsters stifled by Theseus illustrates the purging of monsters.
Season 4 · 4 Feb 2018#4.4B Objections to Dominique Pagani
  1. 7:52PhaedrusIn the preface to Phèdre, he places the slander in the mouth of a servant, not a princess: typical of the Ancien Régime and caste-classes.
  2. 13:59PhaedrusHippolyte, in love with Aricie, discovers that he is like everyone else: raised to the universal at the price of losing himself.
Series · 2 Feb 2016Hegel on the Beach 3/5
  1. 3:59PhaedrusPhèdre and Hippolytus are in hubris, on the verge of transgressing the unity of place.
  2. 2:26:28PhaedrusHis preface attributes calumny to the servant according to her station: an example of alienating substantialization.
Series · 17 Dec 2014D for Desire
  1. 6:58PhaedrusPhèdre's confession to Hippolyte, a summit of poetic language, shows that the daughters of Minos loved Theseus through the legend alone that preceded him.

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