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Senancour

Étienne Pivert de Senancour · French writer (1770-1846) · 1770–1846

Appears in 22 videos · 35 passages, 22 of them in depth.

What Dominique Pagani says

Dominique Pagani regards Senancour as one of his favourite writers and as the one who analysed the mal du siècle with the greatest lucidity, "surgically" or "almost clinically", in the epistolary novel Obermann, which he recommends12. He presents him as an aristocratic pre-Romantic and a disciple of Rousseau. He often quotes his sentence: spring is more beautiful in nature, but man has done so much that autumn is gentler. He sees in it history entering aesthetics and affectivity, the gentle taking precedence over the beautiful34. He also dwells on the voluptuousness of melancholy: a happy, healthy man who is bored and dreads the season of happiness. Depending on the session, he stresses an almost-wish to die or, on the contrary, the absence of any deathly side. He comments on "nothing oppresses me, nothing satisfies me", "love is immense, it is not infinite" and the need for boundless illusions, which he reads as the infinitude of human desire56. He also points to Letter 18, which distinguishes enjoying from being happy, and to the envy felt for the woodcutter who sings as he works.

  1. 1#1.6 Entre crise et guerre : Philosopher ?10 Dec 2015 · 8:35
  2. 2#5 Bien-et Mé-faits de l'amnésie...19 Nov 2020 · 9:36
  3. 3Q comme Qualité31 Dec 2014 · 6:31
  4. 4La maladie, le malheur, le mal20 Sept 2024 · 1:20:59
  5. 5#3 • Les Attelé(e)s de la confinitude4 Apr 2020 · 44:30
  6. 6La mondanité chez Clouscard : Désirer quoi ? Par qui ??3 Sept 2023 · 36:27

Summary produced automatically from 32 of the passages below, to be reviewed; the numbers link to the moment in the session.

Portrait: SenancourWho is this?

Étienne-Jean-Baptiste-Pierre-Ignace Pivert de Senancour (French pronunciation:; 16 November 1770, in Paris – 10 January 1846, in Saint-Cloud) was a French essayist and philosopher, remembered primarily for his epistolary novel Obermann.

Read the article on Wikipedia

Text: Wikipédia, CC BY-SA 4.0 · Portrait: David d'Angers, Pierre-Jean (Angers, 12–03–1788 - Paris, 05–01–1856), sculpteur, CC0

Season 7 · 4 Apr 2020#3 • Harnessed to confinitude
  1. 35:12ObermannThe pre-romantic who analyzes the mal du siècle with surgical precision: boredom, need for the wild, vitalism of an exhausted world.
  2. 44:30Obermann"Nothing oppresses me, nothing satisfies me"; an unknown need carries him beyond perishable beings: a call of infinitude.
  3. 57:20Obermann"Love is immense, it is not infinite"; he wants to hope, to know, to have boundless illusions.
  4. 1:02:24ObermannThe voluptuousness of melancholy; autumn gentler than spring because man has put his history into it.
Season 13 · 20 Sept 2024Sickness, misfortune, evil
  1. 1:12:15ObermannNo one has analyzed the mal du siècle with such lucidity: he asks where the voluptuousness of melancholy comes from.
  2. 1:17:06ObermannAutumn is delightful because nature dies before we do and spring must still come for us.
  3. 1:20:59Obermann"Man has done so much that autumn is sweeter": the historical dimension emerges here; the sweet takes precedence over the beautiful.
  4. 1:34:54ObermannHis final sentence brings a kind of appeasement, which Rimbaud goes beyond.
Season 9.1 · 19 Nov 2020#5 Benefits and harms of amnesia...
  1. 9:36ObermannNo one has gone as far in the almost clinical analysis of the mal du siècle.
  2. 44:40Pre-Romantic at the boundary of the eighteenth and nineteenth centuries, a well-off aristocrat, follower of Rousseau.
  3. 49:20ObermannA comfortable situation and a sad life: there is the infinite between what he is and what he needs to be; love is not infinite.
  4. 1:13:57ObermannHe does not want to enjoy but to hope; he needs boundless illusions: the infinitude of human desire.

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