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Syberberg

Hans-Jürgen Syberberg · German film director · 1935

Appears in 6 videos · 10 passages, 5 of them in depth.

Summary

Dominique Pagani mentions Syberberg mainly for his filmed staging of Parsifal, which he cites as early as 2017 along with Ludwig: Requiem for a Virgin King, his film about Ludwig II1. In 2022, and then in the 2024 sessions devoted to Wagner, he comes back to it often. He sees it as a baroque film in the proper sense, made of collages, and one of the few to show a young Parsifal, as Wagner wanted2. In his view, the images follow Wagner's directions. He stresses that it is not a filmed opera but a real film, with dubbed singers, made by someone with a deep knowledge of Wagner and of Germany3. He notes the wealth of material, the domain of the Grail cluttered with rubble4, and the way the film captures the work's symbolic profusion5. He screens the first act in a session and says he will return to the kiss scene, where the wound is put on display. He speaks of the work of an "absolute filmmaker": its fantastical side can be disputed, but it is never mediocre6.

  1. 1#4.2 Angélique (by Nerval)12 Nov 2017 · 59:15
  2. 2Hesitation fascinated by hearing and by sight: Siegfried and Perceval12 Dec 2022 · 24:17
  3. 3From fidelity to grace: from substance to subject30 May 2024 · 11:44
  4. 4The quest for the Grail, sanctimony or sacrilege?1 Apr 2024 · 1:29:47
  5. 5Saving the saviour? Redemption, the end of the cycle or its new beginning?21 Apr 2024 · 22:55
  6. 6The matrix of all illusion: the past lived as present4 Jun 2024 · 28:15

Summary produced automatically from 10 of the passages below, to be reviewed; the numbers link to the moment in the session.

Portrait: SyberbergWho is this?

Hans-Jürgen Syberberg (German:; born 8 December 1935) is a German film director, whose best known film is his lengthy feature Hitler: A Film from Germany.

Read the article on Wikipedia

Text: Wikipédia, CC BY-SA 4.0 · Portrait: Dbarison at English Wikipedia, CC BY 2.5

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