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Learned music

musique savante

Worked through in 4 videos · 6 passages.

What Dominique Pagani says

Dominique Pagani thinks of learned music in its relation to popular music. He sees it culminate in Bach, whose counterpoints form the "higher mathematics" of musical writing. Yet these counterpoints remain in step with dance rhythms and popular structures12. In his view, it is serious when learned music cuts itself off from popular music. He gives as an example a certain contemporary music of the early twentieth century3. In 2022, he specifies that the learned and the popular do not correspond to genres: both are found in jazz, in song and in classical music4. Jazz serves him as an exemplary case. He defines it as "the most learned of popular musics and the most popular of learned musics"5. He adds that the bop musicians won a chamber music "through hard struggle"6.

  1. 1B comme Bach16 Dec 2014 · 8:57
  2. 2JOHN LEWIS - CLASSIQUE OU JAZZ ? • Pagani Parle Musique29 Jun 2022 · 2:06
  3. 3B comme Bach16 Dec 2014 · 10:13
  4. 4DE BACH AUX PYGMÉES • Pagani Parle Musique22 Jun 2022 · 12:34
  5. 5JOHN LEWIS - CLASSIQUE OU JAZZ ? • Pagani Parle Musique29 Jun 2022 · 3:05
  6. 6Musicosophie 6. La Variation Jazz... de Beethoven15 Dec 2020 · 1:02:59

Summary produced automatically from 6 of the passages below, to be reviewed; the numbers link to the moment in the session.

Series · 16 Dec 2014B for Bach
  1. 8:57Bach's counterpoints are its higher mathematics, but they remain in tune with popular dance rhythms.
  2. 10:13It is serious that learned music cuts itself off from popular music, as a certain contemporary music did in the early twentieth century.

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