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Speech

parole

Worked through in 13 videos · 25 passages.

Summary

Dominique Pagani distinguishes language, tongue and speech: only speech really exists; it is the moment when the logos enters existence, whereas the tongue remains a canon, an ideal1. He holds that speaking is not saying: saying means speaking plus a signification, a code and a message that reaches its destination2. Hence the formula that mathematics says without speaking and music speaks without saying anything3. Before signifying something, all speech signifies for someone and calls for a response, even a person speaking alone speaking to someone, following Lacan4. Taking up Aesop, he makes speech the most perilous of goods, the best and the worst, given together with the freedom to fail as well as to accomplish5. He traces its tragedy through Eden, Babel and Pentecost. He also links it to music, whose union with speech seems to him almost incestuous, and to flowing water, in connection with the griot.

  1. 1“Speech is the best and the worst of things” (Aesop)19 Oct 2022 · 6:38
  2. 2#2.2 Between crisis and war: philosophising?15 Feb 2016 · 57:50
  3. 3#2.6 Between crisis and war: philosophising?1 Aug 2017 · 23:27
  4. 4#6.1 Prelude: Lacan, “Function and field of speech and language”10 Nov 2019 · 24:46
  5. 5A springtime of the peoples?18 Mar 2023 · 1:39:27

Summary produced automatically from 25 of the passages below, to be reviewed; the numbers link to the moment in the session.

Series · 20 Jul 2022Wagner: the truth of pure music
  1. 2:24Speech is each individual's affair: it is there that language enters into existence.
  2. 3:24Speaking is not saying: one recognizes a speech without knowing what it says; saying is speaking plus a precise signification.
  3. 7:29Before signifying something, all speech signifies for someone; what matters is to whom one speaks.
Series · 3 Dec 2020#2 From Lévi-Strauss to Nerval, on music
  1. 48:32In the Ninth, the emergence of the voice is like a sea creature rising out of the water toward air.
  2. 51:02The union of speech and music is almost incestuous: speech is the virile, diurnal instance; music, the feminine and nocturnal one.
  3. 59:22The babble of the Rhine daughters is an intermediate stage between the animal cry and articulate language.

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