Cycle 9.2 · 30 Jun 2021#9.24 “Ruled like music paper!” Nerval, Baudelaire (part 2)- 57:26First of the exiles evoked in The Swan.
Appears in 2 videos · 2 passages.
Dominique Pagani mentions Andromache several times, in different contexts. He presents her as Hector's widow, the captive with whom Pyrrhus falls in love. He recalls this situation in a session on neo-fascism, the ideology of desire and Clouscard's thought1, and later in a session on Proust. He also takes her as an example of character and links her to fidelity2. In 2021, in a session on Nerval and Baudelaire, he finds her again in "Le Cygne", where she appears among the great exiles3. He dwells on the moment when she describes Troy in ashes and the carnage of the night of the sack4. The passages do not develop a sustained interpretation of the character. Andromache serves mainly as a reference figure: the beloved captive, the faithful wife and the exile who carries the memory of the destroyed city.
Summary produced automatically from 5 of the passages below, to be reviewed; the numbers link to the moment in the session.
In Greek mythology, Andromache (; Ancient Greek: Ἀνδρομάχη, Andromákhē) was the wife of Hector, daughter of Eetion, and sister to Podes. She was born and raised in the city of Cilician Thebe, over which her father ruled. The name means "man battler", "fighter of men" or "man's battle", i.e. "courage" or "manly virtue", from the Greek stem ἀνδρ- ("man"), the compound interfix -ο- and μάχη ("battle"). […]
Read the article on WikipediaText: Wikipédia, CC BY-SA 4.0, excerpt · Portrait: Published by Guillaume Rouille (1518?-1589), Public domain
Cycle 9.2 · 30 Jun 2021#9.24 “Ruled like music paper!” Nerval, Baudelaire (part 2)
Series · 26 Sept 2014#4 Neo-fascism and the ideology of desire: on the thought of M. Clouscard