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Madame de La Fayette

Marie-Madeleine Pioche de La Vergne, comtesse de La Fayette · French writer (1634-1693) · 1634–1693

Appears in 9 videos · 9 passages.

Summary

Dominique Pagani discusses Madame de La Fayette almost entirely through The Princess of Clèves, which he takes as an example of a historically determined way of loving. He comes back to it from 2014 to 2026 with the same formula: this novel would be impossible in the age of Neanderthal or Cro-Magnon man, which shows that love has a history and that love relationships do not stem from a fixed nature123. He also uses the novel against naturalistic explanations: one cannot move from chemical equations to the reason of a romantic love4, and one learns more about love from this book than from all of cognitivism5. He also stresses its social background: the novel's first encounter presupposes a code of aristocratic high society6, in an age when social worlds did not interpenetrate. Finally, he mentions the novel as a comparative literature topic for the agrégation7.

  1. 1#4 Neo-fascism and the ideology of desire: on the thought of M. Clouscard26 Sept 2014 · 10:22
  2. 2Our former savagery? An Illumination by Arthur Rimbaud13 Jun 2025 · 33:04
  3. 3Language and thought: the case of Lavoisier13 Apr 2026 · 57:19
  4. 4#1.4 Between crisis and war: philosophising?10 Dec 2015 · 33:28
  5. 5From Copernicus to Lenin: revolution!28 Aug 2026 · 1:11:55
  6. 6With Clouscard2 Aug 2016 · 1:06:34
  7. 7#9.21 Science and/or philosophy of “artificial intelligence”12 May 2021 · 46:56

Summary produced automatically from 9 of the passages below, to be reviewed; the numbers link to the moment in the session.

Portrait: Madame de La FayetteWho is this?

Marie-Madeleine Pioche de La Vergne, Comtesse de La Fayette (baptized 18 March 1634 – 25 May 1693), better known as Madame de La Fayette, was a French writer; she authored La Princesse de Clèves, France's first historical novel and one of the earliest novels in literature.

Read the article on Wikipedia

Text: Wikipédia, CC BY-SA 4.0 · Portrait: anonymous, Public domain

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