Season 13 · 27 May 2025Flagrante Delights- 19:43His statue of Balzac, an example of art in three dimensions.
Appears in 9 videos · 9 passages.
Dominique Pagani discusses Rodin mainly through The Thinker, which he takes as the image of a philosophy of introspection12. He uses it to show what self-knowledge is not: knowing oneself is not "racking one's brains" like The Thinker3. He also takes the statue as an example of an essence that can be named4. The Kiss comes up twice. He first presents it as a modern depiction of the kiss, admired by Rilke5. Later, he sees in it a vigorous embrace, the opposite of hands that rest without weighing6. Rodin also serves him as a point of comparison: in his view, the heads on Romanesque capitals are closer to African sculpture than to Rodin7. Finally, he cites the statue of Balzac as an example of an art that unfolds in three dimensions8.
Summary produced automatically from 9 of the passages below, to be reviewed; the numbers link to the moment in the session.
François Auguste René Rodin (; French:; 12 November 1840 – 17 November 1917) was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell. […]
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