Summary Dominique Pagani places Schoenberg in Wagner's wake: the Second Viennese School emerges from the harmonies of Tristan and inherits the loosening of Wagnerian writing, while also breaking with it1 . He considers the young Schoenberg of the Gurre-Lieder and Verklärte Nacht "paroxysmally romantic." He then describes the abandonment of tonality, followed by the twelve-tone row, which forbids any privileged note. He sees Pierrot lunaire as strictly unheard-of music, "like a dance in weightlessness"2 . He compares him to Bach for the rigour and complexity of his writing3 and contrasts him with Stravinsky. He reads Moses und Aron closely: Moses holds the truth of an unrepresentable God but cannot speak to men, whereas Aaron can4 . He regards Die Jakobsleiter as one of the great vocal masterpieces of the twentieth century. He also mentions the exile of this Jewish composer, expelled from a Germanness he lived from within. He says he likes this music, but notes that it has lost contact with the people and drifted away from the general public5 .
1 #4 Harnessed to confinitude 11 Apr 2020 · 1:13:53 2 #3 What is called modern music? 3 Dec 2020 · 47:41 3 #3 What is called modern music? 3 Dec 2020 · 16:57 4 I am not who you think I am: the elusive identity 4 Jan 2024 · 4:41 5 L'île du Peuple: the debate 23 Jun 2015 · 31:49 Summary produced automatically from 56 of the passages below, to be reviewed; the numbers link to the moment in the session.
Who is this? Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian and American modernist composer, music theorist, and teacher associated with developing variation, the emancipation of the dissonance, and twelve-tone composition. He taught composition in Vienna and at the Prussian Academy of Arts (1925–1933), resigning in anticipation of Nazi Germany's civil–service restrictions. He defiantly reaffirmed his Judaism before immigrating to the United States, where he taught at the University of California, Los Angeles (1936–1944). […]
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Series · 3 Dec 2020 #3 What is called modern music?16:57 The only one with a writing of complexity comparable to Bach's. 24:47 The second Viennese school effects a total break, opposed to Stravinsky's. 47:41 Pierrot Lunaire Starts from the most recent thing, the diluted tonality of Tristan, and suppresses it: strictly unheard-of music, like a dance in weightlessness.1:27:58 Gurre-Lieder The young Schoenberg, of the Gurre-Lieder and Verklärte Nacht, is paroxysmally romantic but ignores national schools.Series · 18 Jan 2021 #10 The two Klemperers and Bruno Walter in Wagner14:11 Among the constellation of names he loves. 49:12 Jewish, he orchestrates in the 1930s a Christmas chorale, at the heart of Germanness; he offers this clip as an indication. 57:23 Exiled to the United States. 1:12:53 Expelled from the German identity he lived from within; he frees writing from the dictatorship of the tonic. Cycle 12 · 4 Jan 2024 I am not who you think I am: the elusive identity4:41 Moses and Aron His only great opera stages Moses on Sinai, in direct contact with God, and Aaron, who knows how to speak to men.41:31 Moses and Aron Moses' first words affirm a single, invisible, unrepresentable God.Series · 13 Jul 2022 Bartók: the unheard-of sound4:21 Deduces from the chromaticism of late Wagner a completely atonal music. 13:27 Berg's teacher. Series · 5 Mar 2022 Panzer-philosophy against the cogito: neo-fascism or the ideology of nature (Heidegger, Descartes)52:09 Serenade, Op. 24 Composer of the serial avant-gardes, with Moses und Aron and A Survivor from Warsaw, far from "popular" music.Cycle 9.2 · 28 Apr 2021 #9.20 From signal to sign: Einstein28:49 Moses and Aron His only great opera opens the session; it illustrates the abandonment of tonality, contemporary with cubism in painting.Series · 28 Jan 2021 #12 Nietzsche (right up) against Wagner6:16 He makes heard what has never been heard: this is the Viennese school. 15:57 Serenade, Op. 24 He first abandons tonality, then formalizes the series; the Serenade op. 24 returns to traditional forms.Series · 24 Jan 2021 #11 Modal and tonal music1:15:34 One can still write in C major. 1:17:40 The series of twelve tones forbids any privileged note, like the weightless dancer. 1:43:21 Moved away from the general public for reasons other than modal jazz. Series · 11 Jan 2021 #8 Happiness and unhappiness in music1:24:12 His Klangfarbenmelodie turns timbres into series, a compositional variable. Series · 11 Dec 2020 #5 Happiness versus the death drive in music49:13 One of his 1911 works is part of the 1910s palette. 1:13:57 Gurre-Lieder Continues Tristan in the first part of his work; the Gurre-Lieder assemble the largest symphonic forces.Talks · 21 Sept 2019 Pagani without detours57:28 Moses and Aron Moses has the truth but does not know how to speak to men; Aaron knows how to speak to them.Cycle 12 · 4 Jun 2024 The matrix of all illusion: the past lived as present31:54 The prelude of the second act has been compared to his early works. Cycle 12 · 1 Apr 2024 The quest for the Grail, sanctimony or sacrilege?1:23:43 Contemporary music that follows the dissolution of tonality. 2:17:13 The most expressionist of musicians, who acknowledges his debt to Wagner. Talks · 23 Mar 2024 Sahelian Africa and imperialism: Mali, Burkina Faso, Niger34:26 Moses and Aron Title of a magnificent opera.Cycle 11 · 3 Sept 2023 Worldliness in Clouscard: desiring what? Through whom?1:57:27 Adorno attended his school. Series · 29 Jun 2022 John Lewis: classical or jazz?0:49 Mentioned along with the Vienna school, the starting point of the avant-gardes that moved away from the general public. Series · 8 Jun 2022 Free gold for everyone: Mulligan2:02 Cited among the composers over whom classical musicians argue. Cycle 10 · 10 Feb 2022 #9 Pictures at an Exhibition: art, seen from here or from the other side?1:01:08 Verklärte Nacht Title mentioned for the romantic moon.Cycle 9.2 · 14 Apr 2021 #9.19 Twilight of the Gods, or from repetition to liberation (part 2)40:32 Heir to the loosening of Wagnerian writing. Series · 31 Mar 2021 Wagner and his interpreters, approaching Clouscard, Marx = Theseus?36:34 Variations for Orchestra, Op. 31 His Variations, so-called degenerate music, premiered by Furtwängler in Berlin.Series · 25 Mar 2021 #17 Interpretation35:14 Foreshadowed by certain late works of Liszt. 1:31:59 Contrasted with Stravinsky as an example of difference. Cycle 9.2 · 17 Mar 2021 #9.17 The geopolitical metaphor: Planck, Descartes, Clouscard43:19 Jacob's Ladder Die Jakobsleiter, one of the greatest masterpieces of vocal music of the 20th century.Cycle 9.2 · 18 Feb 2021 #9.15 How can sciences of history be real?36:06 Verklärte Nacht Passages from the love duet in Die Walküre anticipate his string sextet, a hallucinated and hallucinating work.Series · 9 Feb 2021 #15 Plato, Rousseau, Hegel and music30:31 Speaks of series of timbres; the melody of timbres. Series · 7 Feb 2021 #14 Mozart once more21:04 Quintet for Wind Instruments Recommended in the version with French instrumentalists.28:08 Pushed chromaticism to its paroxysm. Series · 2 Feb 2021 #13 Mozart restored34:08 Rivalry with Stravinsky. Series · 17 Dec 2020 #7 The Greeks, myth and music30:44 Pierrot Lunaire Revives in the twentieth century Sprechgesang, sung speech.Series · 15 Dec 2020 #6 The jazz variation… by Beethoven1:23:24 Pierrot Lunaire Created in the tradition of the Berlin cabaret.1:45:32 Atonal then twelve-tone music, another way out of sonata form. Series · 3 Dec 2020 #2 From Lévi-Strauss to Nerval, on music5:34 He would have said one can still write good music in C minor, no doubt with humor. Series · 3 Dec 2020 #1 Schubert and the master singers1:01:24 His advances confront the problem opened up by endless melody. Cycle 7 · 11 Apr 2020 #4 Harnessed to confinitude1:13:53 Second Viennese school, which extends Wagner while breaking with him. Cycle 6 · 29 Mar 2020 #6.6 The logic of the subject in the face of the reconstitution of Nazism1:38:09 Alban Berg's teacher. Talks · 29 Sept 2019 The religion of money12:28 Moses and Aron Author of the opera Moses und Aron.Cycle 4 · 12 Feb 2018 #4.5 Angélique (by Nerval)6:16 Cited alongside Bach for the rigor of the writing. Cycle 3 · 1 Aug 2017 #3.5 From Ulysses to Daedalus1:32:41 Die Jakobsleiter One of the most beautiful operas of the twentieth century.Talks · 18 Jun 2016 At the bistro (part 1)53:07 Germany reigns over music from Bach to Schoenberg. 1:07:16 The Vienna school emerges from the harmonies of Tristan. Talks · 23 Jun 2015 L'île du Peuple: the debate31:49 He likes it well enough, but it is a music that has lost all contact with peoples. Talks · 26 Apr 2015 The music of history1:43:21 the young Schoenberg, the boundary of the tradition Adorno inherits Series · 16 Dec 2014 B for Bach6:30 Some of Bach's intervals bring him to mind.