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Dionysos

Opera fantasy by Wolfgang Rihm

Appears in 29 videos · 40 passages, 9 of them in depth.

What Dominique Pagani says

Dominique Pagani presents Dionysus as the god of intoxication, excess and the collective, whom he contrasts with Apollo1. He often returns to his emblems, ivy, pine, vine and myrtle, evergreen plants that he interprets as the sign of a libido that never dies2. He stresses his Eastern origin: he is a late god who arrives on a chariot drawn by wild beasts, at the limit of Greek rationality, and the dithyramb in his honour is the origin of theatre3. Though a god who is "not presentable", he must not be excluded from the city4. In Hölderlin, he reads him as the god of shared wine and an intermediate figure with Christ who reconciles day and night5. He also mentions Dionysus coming to console Ariadne on Naxos, notably in Nerval and Roussel. Finally, he follows Nietzsche's reading: the dancing Dionysus set against the spirit of gravity, and the observation that in Wagner, Schopenhauer prevails over Dionysus6.

  1. 1#2.2 Entre crise et guerre : Philosopher ?15 Feb 2016 · 1:06:32
  2. 2#4.3 Angélique (de Nerval)11 Dec 2017 · 18:38
  3. 3#5 • Les Attelé(e)s de la confinitude18 Apr 2020 · 1:14:43
  4. 4Le Mal ou la "déconnaissance" de soi2 Dec 2024 · 14:49
  5. 5Dominique Pagani - Hölderlin, poésie et politique19 Mar 2022 · 1:05:44
  6. 6Musicosophie 12. Nietzsche (tout) contre Wagner28 Jan 2021 · 2:08:59

Summary produced automatically from 40 of the passages below, to be reviewed; the numbers link to the moment in the session.

Who is this?

Dionysos is an opera by Wolfgang Rihm based on Friedrich Nietzsche's Dionysian Dithyrambs. The composer wrote the libretto and subtitled his work: "Opernphantasie nach Texten von Friedrich Nietzsche / Szenen und Dithyramben" ("Operatic fantasy after texts by Friedrich Nietzsche / Scenes and dithyrambs"). It premiered at the Salzburg Festival on 27 July 2010.

Read the article on Wikipedia

Text: Wikipédia, CC BY-SA 4.0

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