Series · 17 Dec 2020Musicosophy 7. The Greeks, myth and music- 1:00:07His exchanges with Dolphy on bass resemble a children's conversation, the jazz equivalent of babbling.
Appears in 5 videos · 5 passages, 1 of them in depth.
Dominique Pagani mentions Charles Mingus briefly, in sessions spread from 2016 to 2023, mostly as an example in his reflections on jazz. He places him on the side of an avant-garde jazz of which Mingus is the arranger: he writes certain parts and leaves improvised stretches open1. He situates this music on the edge of free jazz2. He also cites him as a member of the Money Jungle trio3. In a session devoted to the Greeks, myth and music, he compares Mingus's encores on bass with Dolphy to a conversation between children, which he presents as the jazz equivalent of babbling4. While reading Nietzsche, he links Pithecanthropus Erectus to the music prowling with wild beasts that the philosopher describes: one seems, he says, to hear Mingus in it5. These mentions remain occasional. They serve to shed light on the relation between writing and improvisation and to illustrate certain musical images drawn from philosophical texts.
Summary produced automatically from 5 of the passages below, to be reviewed; the numbers link to the moment in the session.
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, composer, bandleader, pianist, and author. A major proponent of collective improvisation, he is considered one of the greatest jazz musicians and composers in history, with a career spanning three decades and collaborations with other jazz greats, such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. […]
Read the article on WikipediaText: Wikipédia, CC BY-SA 4.0, excerpt · Portrait: Tom Marcello Webster, New York, USA, CC BY-SA 2.0
Series · 17 Dec 2020Musicosophy 7. The Greeks, myth and music
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