Sciences of history
3 videos, newest first.
What Dominique Pagani says
Dominique Pagani asks how sciences of history can be real, that is, rigorous, without imitating the hard sciences. He treats the expressions "sciences of the subject", "sciences of history" and "sciences of culture" as equivalent. He places these sciences within the history of the relationship between the sciences and philosophy: Aristotle's philosophical imperialism, then the successive "declarations of independence" of mathematics, physics, chemistry and biology. He adds the critique of scientism and Marx's critique of robinsonades. He also uses the relations of production, notably slavery, to explain why the Greeks had no physics1. To show what a different kind of rigour would look like, he takes the example of Wagner's Ring. Taken from its middle, the mythic narrative reveals an "algebra" of gold and love2. The rule-governed transformation of the leitmotifs serves as a model for making the sciences of history rigorous3. The ending of the tetralogy illustrates, following Engels, the passage from the realm of necessity to the realm of freedom3.
- 19 #16 Comment des sciences de l'histoire peuvent-elles être réelles?4 Mar 2021
- 29 #15 Comment des sciences de l'histoire peuvent-elles être réelles?18 Feb 2021
- 39 #19 Le Crépuscule des dieux ou de la répétition à la libération • Partie 214 Apr 2021
Introduction produced automatically from the 3 sessions on this theme, to be reviewed; the numbers link to the sessions.
The 3 videos
Season 9.29 #19 Twilight of the Gods, or from repetition to liberation • Part 2
14 Apr 2021How does the last act of Twilight of the Gods move from the cyclical repetition of myth to a woman's knowledge and the reign of man?
Season 9.29 #16 How can sciences of history be real?
4 Mar 2021How can sciences of history be real, and how has the relation of the sciences to philosophy evolved since Aristotle's philosophical imperialism?
Season 9.29 #15 How can sciences of history be real?
18 Feb 2021How does a mythic narrative such as Wagner's Ring, taken at its midpoint, reveal a rigorous logic, an "algebra" of gold and love, that the sciences of history and culture can bring out?