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Phèdre

Tragedy by Jean Racine

Appears in 20 videos · 27 passages, 15 of them in depth.

Summary

Dominique Pagani gives Racine's Phèdre a close reading. He makes her a figure of desire that seeks the impossible: in Hippolytus, Phèdre loves the young Theseus she never knew, a past she lives in the present as a hallucination12. He describes her confession to Œnone as a triple crime and shows that her confessions set the rhythm of the tragedy3. In the scene where she approaches Hippolytus to settle the succession, he points to the double-meaning sentences through which the unconscious makes its way, and to the image of the labyrinth. He links the character to the question of memory and amnesia: by trying to forget, Phèdre returns to the collective primal scene. For him, she is the most innocent character in the play4, a claim a correspondent disputes. He also notes that Racine refuses to have a princess utter the slander and gives it to Œnone instead5. Elsewhere, he sees her dream of the forest as a figure of hubris.

  1. 1#2.6 Between crisis and war: philosophising?1 Aug 2017 · 1:14:22
  2. 2D for Desire17 Dec 2014 · 6:54
  3. 3#2.5 Between crisis and war: philosophising?1 Aug 2017 · 26:23
  4. 4#9 Benefits and harms of amnesia…17 Dec 2020 · 1:34:30
  5. 5#5.1 bis Questions (Facebook Live)2 Nov 2018 · 43:12

Summary produced automatically from 28 of the passages below, to be reviewed; the numbers link to the moment in the session.

Portrait: PhèdreWho is this?

Phèdre (French:; originally Phèdre et Hippolyte) is a French tragedy in five acts written in alexandrine verse by Jean Racine, first performed in 1677 at the theatre of the Hôtel de Bourgogne in Paris.

Read the article on Wikipedia

Text: Wikipédia, CC BY-SA 4.0 · Portrait: Sébastien Le Clerc, Public domain

Cycle 9.1 · 17 Dec 2020#9 Benefits and harms of amnesia…
  1. 50:49Wife of Theseus, in love with Hippolytus, her husband's son: this is what makes the tragedy.
  2. 1:29:32She refuses the common law and believes her love unique; her confession is already seeping through.
  3. 1:34:30Her confession is a hallucinated anamnesis; she wants to wind back the clock of time; she is the most innocent character.

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