Season 11 · 22 Jul 2023Worldliness in Clouscard - The world as "cunning of reason"- 1:29:00"Matter remains and form is lost": everything passes, except what the tool makes endure.
Appears in 13 videos · 15 passages, 3 of them in depth.
Dominique Pagani cites Ronsard mainly through a few lines that come back from one session to another. The first, "Time goes… no, madam, it is we who go," expresses for him the awareness of death1. The second, "matter remains and form is lost," belongs in his view to a Greek way of thinking about mortality, with no beyond2. He links these two lines to enjoyment3, cites them in connection with the abyss of erudition and, later, in connection with worldliness in Clouscard: everything passes, except what the tool makes last4. For him, the poems on the faded rose also illustrate attributes that change. He uses the line "I want to read Homer's Iliad in three days" to show the Renaissance appetite for knowledge and its return to Greek values5. Finally, he judges Ronsard admirable in the sonnet and heavy in the epic, and sees him as an example of the small form in which the French excel, a comparison he also makes in connection with Schumann6.
Summary produced automatically from 15 of the passages below, to be reviewed; the numbers link to the moment in the session.
Pierre de Ronsard (French pronunciation:; 11 September 1524 – 27 December 1585) was a French poet. His works include Les Amours de Cassandre (1552), Les Hymnes (1555-1556), Les Discours (1562-1563), La Franciade (1572), and Sonnets pour Hélène (1578). Ronsard was born at Manoir de la Possonnière in the village of Couture-sur-Loir, Vendômois. His father served Francis I as maître d'hôtel du roi. Ronsard received an education at home before attending the College of Navarre, in Paris, at age nine. He later travelled extensively, including visits to Scotland, Flanders, and Holland. […]
Read the article on WikipediaText: Wikipédia, CC BY-SA 4.0, excerpt · Portrait: Benjamin Foulon, Public domain
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