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Censorship

censure

Worked through in 4 videos · 7 passages.

Summary

Dominique Pagani approaches censorship on two levels. On the psychic level, it loosens in altered states such as reverie: the forces repressed during the day, for the sake of work and of the relation to others, can then find expression1. On the political level, he presents it as a fundamental theme, one that forces a text to remain political while camouflaging itself. It renews itself until it becomes self-censorship, and it is often fought through a complicity that beats it at its own game2. Racine is an example: he transgresses censorship without leaving the bounds of legality, saying everything while naming nothing. In connection with Viennese censorship, Dominique Pagani takes up the formula that its office is "the freest place in the Empire", since there power stands above the power it exercises3. He also mentions the Riancey amendment, which requires a choice between novel and history and targets the public of the barricades4.

  1. 1R for Reverie1 Jan 2015 · 4:03
  2. 2Tribute to Jacques D'Hondt (2)2 Aug 2016 · 18:18
  3. 3Introduction to the upcoming workshops23 Mar 2020 · 21:08
  4. 4Introduction to the upcoming workshops23 Mar 2020 · 15:53

Summary produced automatically from 7 of the passages below, to be reviewed; the numbers link to the moment in the session.

Cycle 4 · 18 Oct 2017#4.1 Angélique (by Nerval)
  1. 20:28Censorship is one of the fundamental themes; the text remains very political, but camouflaged.
  2. 1:11:20The censorship office is the freest place in the Empire: power is above the power it exercises.
  3. 1:41:28Racine transgresses censorship while remaining legal: saying everything while naming nothing.
Series · 1 Jan 2015R for Reverie
  1. 4:03In second states, censorship relaxes and the determining forces repressed during the day, for the sake of work and relation to the other, express themselves.

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