Series · 3 Aug 2022SCHUBERT - THE DIVINE CAPTIVES • Pagani Parle Musique- 12:00In an author who did not believe in eternal life, music wins a victory: with it, death becomes less bitter, less inglorious, less probable.
Worked through in 17 videos · 29 passages.
Dominique Pagani approaches death mainly through Hegel. He sees it as the "absolute master", the only concept that escapes dialectic and the relativity of the relation between master and slave12. Before it, the slave feels anguish for the whole of his essence3. He specifies that what founds the human is not death itself but awareness of finitude, which marks the passage from zoology to anthropology4. Man is the animal that knows it will die, and this knowledge, which the gods lack, gives value to what is precarious5. This awareness strips the natural given of its interest. Social praxis then produces another world to overcome this loss67. He also links death to funeral rites, which raise the singular to the universal, to the life of spirit, which "maintains itself" in death, to Pascal, to Freud, and to music, which opens side doors in the corridor leading to death.
Summary produced automatically from 29 of the passages below, to be reviewed; the numbers link to the moment in the session.
Series · 3 Aug 2022SCHUBERT - THE DIVINE CAPTIVES • Pagani Parle Musique
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