Series · 5 Aug 2023Aragon "The Paris Peasant Sings" - Readings on the Spot- 10:48The poem seems to leave political Paris for nostalgia and inner feeling, but the two are linked.
Worked through in 4 videos · 5 passages.
Dominique Pagani places the appearance of subjectivity in history. In the Greek ethos, nascent subjectivity appears as a corruption. The free and infinite personality, which the Greeks did not know, flourishes with Christianity and the modern world1. He firmly distinguishes subjectivity from subjectivism: criticising subjectivism does not mean eliminating subjectivity. One fights subjectivism by extending the field of subjectivity, which he conceives of as an activity2. In a session on Romantic irony and Vinteuil's sonata, he calls for rehabilitating subjectivity against subjectivism. He adds that subjectivism, at its height, joins a human adventure3. In his view, Proust's musical phrase shows that states of the soul are not frivolous. They are superior to positive life and are alone worthy of being expressed4. Regarding Aragon, he notes that the poem seems to leave political Paris for nostalgia and states of the soul, but that the two remain linked5.
Summary produced automatically from 5 of the passages below, to be reviewed; the numbers link to the moment in the session.
Series · 5 Aug 2023Aragon "The Paris Peasant Sings" - Readings on the Spot
Series · 31 Mar 2021"Red-browns", "decolonial": Should we use the dominant language? • Philosophical Q&A • Pagani
Series · 15 Jan 2021Musicosophy 9. Romantic irony and the Vinteuil sonata
Series · 8 Dec 2015Dominique Pagani on Michel Clouscard - The paths of praxis 1/2