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Classical music

5 videos, newest first.

What Dominique Pagani says

Dominique Pagani approaches classical music through its forms and through history. He devotes two sessions to Mozart. He places his work in the "tipping point" between the Ancien Régime and the world that emerged from 1789. He brings out in it the sound of happiness, "a new idea in Europe" according to Saint-Just, and connects it with Rousseau's Confessions, The Marriage of Figaro and Così fan tutte1. Against Glenn Gould's rejection of Mozart, he defends the voluptuousness of the delayed dissonance. He presents Viennese classicism as the moment when the symphony, the concerto and the sonata reach their formal balance2. He defines the concerto, "concertante" in the Baroque era and conflictual in the Romantic era, and defends Tchaikovsky against the charge of bad taste3. With Beethoven, he explains sonata form and the shift from minuet to scherzo. He also shows how a scherzo fuses popular and learned music4. Finally, he questions the very notion of the classical, "what is learned in classes". He suggests that jazz may be the true classical music of the twentieth century5.

  1. 1Musicosophie 13. Mozart restitué2 Feb 2021
  2. 2Musicosophie 14. Mozart derechef7 Feb 2021
  3. 3TCHAÏKOVSKI - DES STEPPES AU MIDWEST • Pagani Parle Musique15 Jun 2022
  4. 4BEETHOVEN POMPETTE ! • Pagani Parle Musique6 Jul 2022
  5. 5JOHN LEWIS - CLASSIQUE OU JAZZ ? • Pagani Parle Musique29 Jun 2022

Introduction produced automatically from the 5 sessions on this theme, to be reviewed; the numbers link to the sessions.

The 5 videos

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