Talks · 29 May 2023From the debauchery of sense to the orgy of sentimentTime
Worked through in 21 videos · 38 passages.
Summary
Dominique Pagani takes up the distinction between space, the order of simultaneities, and time, the order of successions1. From it he draws the opposition between the plastic arts and music, though he considers this opposition in need of nuance. He makes Lévi-Strauss's formula, according to which music, like myth, "enters time only to leave it", the essence of all music: musical time suspends the time of worries and makes something outside time last23. He distinguishes the predictable, circular time of destiny, which he calls a false time, from human time, which is blurred by freedom4. On the philosophical level, he recalls that with Kant time becomes the a priori form of all intuitions, and that Hegel defines time as he defines man: "the concept itself existing"5. He also links the awareness of time to desire and lack, and describes happiness as a day "made long", a dilation of the present.
- 1#9.23 “Ruled like music paper!” Bach, Nerval, Lévi-Strauss9 Jun 2021 · 1:41:59
- 2Schubert: the divine captives3 Aug 2022 · 0:00
- 3Schubert: the divine captives3 Aug 2022 · 3:33
- 4#14 Mozart once more7 Feb 2021 · 14:01
- 5The aporias of anthropology23 Nov 2022 · 1:20:15
Summary produced automatically from 38 of the passages below, to be reviewed; the numbers link to the moment in the session.
Talks · 29 May 2023From the debauchery of sense to the orgy of sentiment
Cycle 11 · 23 Nov 2022The aporias of anthropology- 1:20:15Hegel defines man and time in the same way, as the concept itself existing; the hard sciences, on the contrary, seek to eliminate time.
Cycle 11 · 14 Oct 2022Clouscard and the problem of Socrates- 1:13:57No instant is "at the same time": we are in the flux, which allows contradiction without the contradictory.
- 1:26:37With Kant, time becomes the primary constitution of the subject, the a priori form of all sensations.
- 1:32:24Music, having no spatial dimension, shows the link between temporality and interiority.
Series · 3 Aug 2022Schubert: the divine captives
Series · 23 May 2022Introduction to the podcast- 1:07Music is an art of time: at 10:00 and at 10:06, in a symphony, the same things are not happening.
Cycle 10 · 3 Nov 2021#10.4 From Lascaux to modern music, the permanence of the political stakes in aesthetics
Cycle 9.2 · 30 Jun 2021#9.24 “Ruled like music paper!” Nerval, Baudelaire (part 2)- 44:30The dream runs counter to the irreversibility of time: simultaneity, the opposite of succession, keeps the past present.
Cycle 9.2 · 9 Jun 2021#9.23 “Ruled like music paper!” Bach, Nerval, Lévi-Strauss- 27:35Notated music unfolds on the axis of pitch and the axis of duration, both quantifiable; music paper already divides time.
- 1:41:59Time is the order of successions, space that of simultaneities, partes extra partes.
- 2:05:13Myth and music require a temporal dimension, unlike painting where everything is given at once.
Cycle 9.2 · 3 Apr 2021#9.18 Twilight of the Gods, or from repetition to liberation
Series · 7 Feb 2021#14 Mozart once more
Series · 17 Dec 2020#7 The Greeks, myth and music
Cycle 9.1 · 10 Dec 2020#8 Benefits and harms of amnesia…
Cycle 7 · 18 Apr 2020#5 Harnessed to confinitude- 1:00:08Temporality is the invariant of the metaphors of the fountain, the music and the bells: all of it flows.
Cycle 7 · 27 Mar 2020#1 Harnessed to confinitude
Cycle 7 · 26 Mar 2020#0 Harnessed to confinitude- 3:03Confinement gives him back time, whereas, retired and approaching the end of his life, he had the feeling of always lacking it.
Cycle 5.2 · 2 May 2019#5.6 Nature or landscape?
Cycle 5.2 · 4 Feb 2019#5.4 Nature or landscape?- 3:34Each part chases away the other; time is more inward, spiritual; spirit is pure time in Hegel.
Cycle 4 · 15 Jan 2018#4.4 Angélique (by Nerval)
Talks · 9 Mar 2017Is history a subject?
Talks · 26 Apr 2015The music of history
Series · 27 Dec 2014M for Music