Series · 15 Jun 2022Tchaikovsky: from the steppes to the Midwest- 9:03Russia and the United States have in common great spaces, steppe or Midwest, as opposed to the rolling landscapes of old Europe.
Worked through in 7 videos · 10 passages.
Dominique Pagani defines space as the world of simultaneity, where all the parts are co-present, partes extra partes1. He thus implicitly contrasts it with time and draws from this a distinction between the arts: painting, sculpture and architecture are arts of space, in which the left, the middle and the right of a painting are given at the same time2. In his view, philosophy gives priority to the relation to extension up until Kant, whose great reversal makes space the a priori form of external intuitions, without which nothing could be seen3. He refuses to regard it as an objective receptacle: space depends on the conceptions and the imaginary of an era, as shown by the abstract border that appeared at the end of the seventeenth century, or by the infinite and homogeneous universe that the scientific revolution substitutes for the hierarchical cosmos45. In Nerval, he reads Rousseau's tomb as a centre of gravity that distorts space, in the manner of relativity6. He also associates space with the stage and with illusion, and holds that geopolitics remains on the surface7.
Summary produced automatically from 10 of the passages below, to be reviewed; the numbers link to the moment in the session.
Series · 15 Jun 2022Tchaikovsky: from the steppes to the Midwest
Series · 23 May 2022Introduction to the podcast
Cycle 9.2 · 7 Jan 2021#9.11 How can sciences of history be real?
Cycle 5.2 · 4 Feb 2019#5.4 Nature or landscape?
Cycle 4 · 12 Apr 2018#4.7 Angélique (by Nerval)
Cycle 4 · 15 Jan 2018#4.4 Angélique (by Nerval)
Talks · 26 Apr 2015The music of history